
You have never read a novel like Tooth and Claw. In which society's high-and-mighty members avail themselves of the privilege of killing and eating the weaker children, which they do with ceremony and relish, growing stronger thereby. Here is a world of politics and train stations, of churchmen and family retainers, of courtship and country houses.in which, on the death of an elder, family members gather to eat the body of the deceased. Now Walton returns with Tooth and Claw, a very different kind of fantasy story: the tale of a family dealing with the death of their father, of a son who goes to law for his inheritance, a son who agonizes over his father's deathbed confession, a daughter who falls in love, a daughter who becomes involved in the abolition movement, and a daughter sacrificing herself for her husband.Įxcept that everyone in the story is a dragon, red in tooth and claw.

Jo Walton burst onto the fantasy scene with The King's Peace, acclaimed by writers as diverse as Poul Anderson, Robin Hobb, and Ken MacLeod. It won the World Fantasy Award for Best Novel in 2004. And that's not just friendship speaking.A tale of contention over love and money?among dragons Tooth and Claw is a fantasy novel by Welsh-Canadian writer Jo Walton, published by Tor Books on November 1, 2003. It could have fallen very flat, but Walton manages the balance perfectly.

And through all the social chit chat, the class snobbery, you are never allowed to forget that the characters are dragons, ranging in length from six to sixty foot or more. It sounds like it shouldn't, but whereas in a novel by, say, Trollope, we have a certain difficulty in recognising some of the character forces, some of the pressures they perceive, here the pressures arise out of the nature of dragonhood. And part of the estate that Bon has left is his own body, and it's a dispute over the portioning of his body that leads to a great lawsuit between Avan and his bullying brother-in-law. So, this novel may be a Victorian novel, but it's a Victorian novel whose protagonists are dragons, dragons, moreover, that have to eat dragon flesh in order to grow if not merely to live. Will the estate be enough to support dowries for the two unmarried daughters?Īnd then Bon is dead, and the family eat him. With the death of the paterfamilias, things are bound to change. His daughters, including one who has already married a wealthy neighbouring land-owner, are there, as is his other son Avan, who is making something of himself at the Planning Office up in the capital city. His son Penn, a parson, is with him for his final moments.
